Poe

The Telltale Heart Installation Blog

Sheffield Hallam University

Opening Night
[info]lauren_stanley
So opening night has been and gone, and I'm happy to say it was a success. The galleries were packed and we all got positive comments about the pieces. We even got to enjoy a little champers afterwards, courtesy of Chris. Thanks again to Ian Goulty for his help in constructing the installation. 

I'd just like to take this opportunity to thank everyone for all their help over the last few months, we did it kids!



Pictured L-R:

Kelly Hull: Editing
Liam Kerr: Assistant Camera
Holly Bagnall-Bell: Production
Ryan Tsang: Cinematography
Lauren Stanley: Direction and Sound Design
Jonathon Neill: Assistant Direction
Mark Winter: Art Direction

not pictured Ali Thain: Assistant Sound

Not much else to say! The installation is on for the next two weeks at Bank Street Arts, S1 2DS, 10am-5pm, Tuesday-Saturday, get yourself down there!

the morning of the launch night
Jake / DEFAULT (thumbs up)
[info]hollycore
Yesterday we spent pretty much all day in the gallery, leaving at 10pm. When we left the setup was complete barring the mirrors on the floor but it only needs about five minutes work today before the opening. Everyone worked extremely hard yesterday and it was worth it, it looks fantastic. We played the film after the sound and mirrors were all set up and we were extremely proud of the effect it has. I discovered that there is another exhibition on at the same time which may be less secure for our equipment, but we discussed it and Lauren decided she'd rather have the publicity over tight security, wo we will just have to keep a keen eye on set. I feel as if the opening will be a success and I am immensely proud of the work that everyone has into the project.

two days
Jake / DEFAULT (thumbs up)
[info]hollycore
After a short delay due to wet painted floors, we got the bracket up on the wall for the projector and the shelf for the DVD player. Also the speakers were wired up. Thank you to Ian who helped us immensely.

- Holly

Gallery + painting
Jake / DEFAULT (thumbs up)
[info]hollycore
We have now been informed that the gallery is painting the floors, so the paint we purchased can be returned and we can spend more time on the set up of the mirrors. Saves us time and £13.99 anyway. Other than that, we are on track. We still need to purchase refreshments and do the set-up but the actual film is ready to go.

- Holly

two graphics for you
Jake / DEFAULT (thumbs up)
[info]hollycore
For the staff to wear when they are supervising.
We have clip on badges also to look professional.


For the wall - it will be on card -
inspired by the ones I saw in London


- Holly

Update
Jake / DEFAULT (thumbs up)
[info]hollycore
As Lauren has mentioned, we are working very hard towards getting everything together.

Personally I have got the guest book, security locks for the equipment, name tags for us when we are staffing the exhibition, paint for the floor (painting it on Sat). I have also formed a guest list to be checked off when people arrive, and also emailed the tutors to invite them to the opening along with inviting my own guests.

Due to a confusion on an email from Jamie, there has been a small error with the dates of the opening, but we have ensured that everyone is aware that the opening is on Monday 10th (not Monday 11th as previously written). We have mad sure that the papers and the guests invited to the launch know of the correct date.

I took a trip to London this past week, and it gave me a lot of ideas on the presentation of the exhibition, which is written in my research book so I shall not be copying it all up on here.

T-minus 7 days...
[info]lauren_stanley
This time next week we will have had opening night, so we are trying to get a lot of stuff sorted this week as well as getting all our work done! Today we had a group meeting where we organised sourcing equipment for the build of the exhibition and supervising the exhibition. 

We all sent out email invitations for the guest list on the opening night, and Mark has designed the exhibition free handout, and I am designing the catalogue that I am thinking of offering for a small charge. I think that is all the marketing taken care of apart from continued posting on Facebook and Twitter.

I also did a bit more work on the sound design, getting there! After a visit to Wickes Ian is building a shelving unit, so big thanks to him.

Class Screening...or not.
[info]lauren_stanley
 So we were supposed to show our film at a class screening on Thursday 29th. But our bad luck and sheer frustration at burning our film to DVD continued, and we were unable to. The first attempt was made on Monday, but the film came out looking jerky and incredibly pixelated. Kelly continued to try to get a copy to DVD but they all came out looking unwatchable ( I think she tried about 20 times in total, all with different settings, and all taking several hours to render before they could go on disc). I visited her to help on Wednesday and Thursday to help, but we could not find a solution.

We were unwilling to show something that looked so bad, but Chris advised us to bring what we could. We went into university on Tuesday afternoon with a couple of the DVD attempts. Neither would work on a PC. We tried with the help of a technician to burn another DVD using a quicktime movie of an older edit and the mix-down of the current sound design. Again, it looked fine on a Mac screen and played on a Mac, but when we tried it through a PC and a DVD player it would not play. 

By this point were both pretty frustrated, and without wanting to damage university equipment in our frustration we decided to admit defeat. Mark informed Chris of the situation, and Chris agreed we could show the film next Thursday instead. 

At Saturday lunchtime, Kelly informed me that she thinks she has discovered the magic formula for getting our film to disc, so hopefully all will be well by Thursday. Phew!

Sensoria Festival
[info]lauren_stanley
I went to two events that were part of the Sensoria festival, held this week around Sheffield. The first was Music for Real Airports by The Black Dog and Human Design Studio, at the Milennium Galleries. Image from sensoria.org.uk:



You walked into a low lit room, with the bar in the corner, which ruined the designation of the room as the 'performance area', and then you were suddenly hit with a wall of noise. My ears started ringing after five minutes, so I retreated outside, where it could be heard at a comfortable level! What I then heard was a mix of free jazz and atonal stabs of noise; not really my cup of tea. Within minutes the outside area was jammed and the performance room had about five people in it. Maybe Sheffield wasn't ready for it, but the piece as performed bore no relation to the descriptions of it, for example at:  www.articlemagazine.co.uk/interviews/music-for-real-airports (can't seem to cut and paste today). I think we must have missed something, or we left too early, because I didn't see any visuals! If there are to be two rooms to an installation, surely they should be opened at the same time, at the beginning?

The other event was British Sea Powers' live soundtrack to Man of Aran at the Showroom. Photos sneakily taken by me:

Man of Aran 1Man of Aran 2

Man of Aran is a Flaherty drama-documentary, depicting the life of a family on the barren Irish Islands of Aran, and British Sea Power are a band who have composed their own soundtrack for it.. The concepts of a live gig and sitting down to watch a movie are very different, and it was weird to watch a band when they are facing away from you, but the end result I thought was beautiful and uplifting. The soundtrack gave the images a power they never could have achieved on their own, and hearing it live, with bass rippling through you, amplified that effect. It reinforced my belief in the affect sound can have on image if done well. The soundtrack performed was deceptively simple, with layers of repetitive rhythms drifting in and out, giving a wash of sound rather than overblown 'stabs' when something dramatic happens.

This is the affect I hope to achieve with my sound design for the project; something that can be experienced as well as listened to, hypnotic rather than jumpy and neurotic!

Exhibition Design Testing
[info]lauren_stanley
Over the weekend I set up the projector and some mirrors to see how the exhibition idea worked, and I'm glad to report that it does, I think it looks really cool! Sections of the image can be scattered onto three walls and the ceiling through one projector, so I think one is all we will need. 

In this setup, I think the parts add up to give more meaning to the whole; for example you can just watch Lexi's face and see the nuances of her expression as she is strangled, and the superimpositions are given greater power when separated and seeming to come out of nowhere. Tilly's face popping up genuinely freaked my boyfriend out, which is a good sign as this is the reaction I want from the viewer! Photos by me, Not very good:

exhibition testing 1exhibition testing 3

On the Saturday, I went to Bank Street to try to work out where all the equipment will go in the room.  We have one projector, one DVD player with six speakers to position, and all their associated wires to hide from view as much as we can. 

Having looked at other galleries, they tend to position their projectors high up with ceiling brackets.  As we don't have one, the neatest solution I could see was to put up a shelf on the back wall for the projector and DVD player to sit on; this also keeps them out of the audiences' eye-line as much as possible. There is a ledge at the far end of the room; this can be used to sit some of the speakers on. The speakers all have hook attachments they could be hooked onto the beams and column in the room so they are not sat on the floor. The subwoofer can be placed under the audience seating so they can feel the deep bass rumble!

In any case, the design is do-able, and that is a big relief to me!

When I can work out a clear way to draw it, drawings to follow.

Exhibition Design Re-think
[info]lauren_stanley

For a while I have wondered if the 'room within a room' exhibition design was right for the project. The room we are exhibiting in is small, and we have been struggling to source one projector, let alone two or potentially four. Also, the chances of us building a free-standing box that would survive two weeks of exhibition I think are small. Chris liked the idea of the room within a room and encouraged us to keep it, but the final straw came when I did a rough costing of the build; it was simply too expensive for us. I had to think of a new design, and fast!

The best idea I came up with, and the one we are running with now, is to project onto a group of mirrors, which scatter parts of the image around the room. This is still in line with the concept of the fragmented image, that the viewer has to actively choose one part of the image to focus on at a time, therefore can never get the whole picture (just as with the viewer choosing one hole in the box to view the piece through with the previous design). The difference is this set up will be much easier, and hopefully faster to build, with less prep needed. We will need fewer materials, and will therefore be cheaper. It will also mean we will have less equipment to source.

I am happy with this design; I think it has the potential to be more visually interesting than the previous idea. The next stage is to discuss it with the group and to test it further.

 

Posters
[info]rtsang4
Just thought I'd let everyone know where I've put the posters up. After the meeting on 23rd I put a poster up in the reception of Sheaf building and another on the 3rd floor. As I was meant to cover the Ecclesall Road area, I have put up posters in shops where many students congregate or visit, ie. Tesco's, sandwich shops, coffee shops etc. Also put one up at the Learner.

Hopefully our efforts to promote the installation pays off.

Schedule Updated
Jake / DEFAULT (thumbs up)
[info]hollycore
New schedule.


The old versions of the schedules are here.

Meeting 20th April 2010
Jake / DEFAULT (thumbs up)
[info]hollycore
Lauren, Mark, Jo and myself met up to discuss the press release and the promo, and it became very clear that we were getting on with it. After Jo left we discussed the projection idea but as I sad, I will allow Mark and Lauren to post about it themselves.

- Holly

PR Consultant 19th April 2010
Jake / DEFAULT (thumbs up)
[info]hollycore
I went to Stockport to meet with a Communications and PR Officer for Stockport Council. She helped me to put together a press release and some emails along with a group logo for our combined show.

- Holly

Meeting 16th April 2010
Jake / DEFAULT (thumbs up)
[info]hollycore
Lauren informed the group that she has gained a projector, which was a major concern earlier but now it is solved. We discussed the possibility of hanging material from the ceiling and how the design of the gallery would go.

Lauren informed us that she was having a tutorial with Ron to discuss the sound she has been working on so there is now worry there.

We discussed the need for ID at the gallery for the ‘staff’ and decided on lanyards with cards on the end which I am currently working on.

The group as a whole (along with Memory and BWLHW) decided on a collective name so that we could brand ourselves. It also meant that we could all go off and do our own poster designs and not be as limited and we still could be connected.

- Holly

Tutorial 16th April 2010
Jake / DEFAULT (thumbs up)
[info]hollycore
We met up to discuss the problems with the edit with Chris, and covered these points:

- DVD players not working
- Codec’s on PC not allowing the film to play correctly
- Projectors not taking the HD quality well and reducing the projection

Chris suggested we may need to download the codec for the transitions in the film in order for it to play correctly. We also covered the press release, and explained that it would be worked out this weekend when I would meeting with our consultant. I also made a list of things I needed to do this weekend, such as the Facebook page and the information for the wall in the gallery. We discussed the promotion at length, going into what needs to go on posters and whether the trailer that Kelly had put together needed to go viral.

Lauren brought up the ideas she had with the projection structure, but she will be writing that on a separate entry.

- Holly

Facebook group
Jake / DEFAULT (thumbs up)
[info]hollycore
Facebook Group

The three Installation Group have now combined their works and came up with the name "Emerging Artists 3"

- Holly

Meeting 24th March
Jake / DEFAULT (thumbs up)
[info]hollycore
We watched the most updated version of the edit, it is coming along but there are a few tweaks still and more shots need adding to it. The quality was slightly grainy but it was probably just the laptop we were watching it on rather than the actual film. The overlapping images have now been made black and white under Chris' advice, and it does seperate them from the main shot a little.

We also introduced Liam to the project, as our new camera assistant. His role will be to document the installation when it comes round, so we sent him off with some research to do so he knows what he is expected to come up with. We also discussed the exhibition opening night guest list, and came up with a rather long set of guests already. It is clear that once we have asked all members of the crew we will have too many guests but we can cut it down to the essential people.

Unfortunately Chris has become unavailable to us so we weren't able to show him our film but I think we are sorted as to what we are supposed to be doing. Lauren and Alister have decided that they will be getting on with the sound over Easter and we shall arrange a meeting with Ron when we get back so he can see how it is coming together.

- Holly

Updated Roles
Jake / DEFAULT (thumbs up)
[info]hollycore
Director/Sound: Lauren Stanley
Producer: Holly Bagnall-Bell
Cinematographer: Ryan Tsang
Art Director: Mark Winter
Editor: Kelly Hull

Assistant Director: Lauren Irwin (Wed-Thu)
Assistant Director: Jon Neill (Fri + Reshoots)
Assistant Sound: Alister Thain
Assistant Art Director 1: Paul Oliver
Assistant Art Director 2: Amrita Ghir
Assistant Lighting 1: James Parsons
Assistant Lighting 2: Dave Parkinson
Assistant Camera: Liam Kerr
Assistant Producer: Lauren Irwin (Fri-Sun)

Continuity 1: Kelly Hull (Wed/Thu/Sat/Sun)
Continuity 2: Njal Keay (Fri)
Stills Photographer: Holly Bagnall-Bell/Lauren Irwin/Kelly Hull
Graphic Design: Mark Winter
PR Consultant: Kirsty Bagnall
Tags:

Update!
[info]lauren_stanley
 Today we did a quick reshoot of two shots based on Chris' advice: blood dripping and on the knife. That went smoothly and were put into the edit immediately afterwards. The edit is progressing well, we should have a second edit completed by the easter break. That's all really!

Mark's thoughts on the shooting week.
[info]winterpie101
Day 1 - Studio.

This was the day that I think I enjoyed the most, the days filming began well and went pretty smoothly from the off. In terms of art direction I am happy with the choices for the day. My first job on set was to construct the wooden floor for set as the studio we were using was carpeted.

One of the new experiences for this shoot was having to apply bruise makeup to one of the actresses, I thought that I did a pretty good job at this considering I had not done it before and I was happy with the result.

I thought that the crew and actors worked very well on this day and that this was our most organised day out of all the shooting.

Day 2 - Graveyard and Bathroom scenes.

The graveyard shoot I had found very tiring and depressing due to the awful weather, this seemed to show on everyones faces but the crew still managed to get the job done, I was mainly in the sidelines for this part of the shoot as there was not much for me to do in terms of art direction so deicided to help out by keeping actors and crew dry using umbrellas.

After we called the graveyard shoot we decided to move on to shooting the scenes at south view cresent in the bathroom. Once we arrived the set required a lot of dressing to make it suitable for shooting, I found this enjoyable and after half an hour or so we had the set much better and could begin setting up the equipment.

We got some really good shots at this location and they were some of the best rushes we had when we looked at the tape. I think that a bit of lunch and being in the warm house perked the cast and crew up a lot and helped us get through the shoot.

Day 3 - Bedroom scenes.

This was the longest day of shooting we had, there were a huge number of shots to get in so I thought it would be wise to pre dress the set before everyone arrived, it involved rearranging the bedroom and changing some things around to get the look Lauren was wanting, I think that the set looked really good after everything had been sorted.

The lunch break did us a lot of good as I think that everyone was getting pretty tired as we came up to the halfway point and I think that we got some of our best footage from this day.


Visit to London, 4th March
[info]lauren_stanley
Last Thursday I was in London for my Professional Practice module, so I made some visits to galleries whilst I was there.

First I went to Tate Modern, to see How It Is by Miroslav Balka in the Turbine Hall. In essence a big black box, I went because it opened just after I had pitched the idea of our installation featuring a box that the audience looked into to see the piece, and at the time I was worried people might think I had nicked the idea! Photos by me (not allowed to take photos inside):



According to the flyer for the installation, the experience inside the cube is intended to be one of trepidation and anxiety as you move around in the pitch darkness. This isn't quite pulled off though, as one face of the box is open, letting light in, so you can just about see where you are going, and more importantly the other people in there with you, so any sense of fearing the unknown and bumping into eachother is lost. I imagine this is a different story after dark, so its probably worth a visit on late night opening; then I it must be really unnerving! The structure itself is imposing, and the experience of being in the cube is actually quite peaceful. And the walls are furry! I also intend to seek out the Samuel Beckett novel that the work is informed by.


Next I went to the White Cube to see Factum by Candice Breitz. A video exhibition, twins and triplets were interviewed separately, the footage is inter-cut to create one (mostly) coherent response to a series of questions about their lives. You don't hear the questions, so it becomes almost stream-of-consciousness, about what it is to be a twin or triplet.

http://www.whitecube.com/exhibitions/factum/Factum/

To be honest I didn't really get the point of this piece, or any meaning I did get was divined quickly, and the piece didn't develop further, so I was unable to understand why the pieces were so long; there were five exhibits all of them almost an hour long. The twins spoke a lot about a need to define themselves as individuals, but the exhibition of the footage undermined this by blending all their responses into one. If this was the intention, the content itself wasn't interesting enough for me to keep watching beyond a few minutes. One useful thing I drew from this exhibition was an example of a press release, something I will have to write for our installation; that was worth the journey I guess!


I then made a visit to the Barbican Centre. I went to see Celeste Boursier-Mougenot's exhibition in The Curve. What I had heard was that a flock of finches inadvertently played instruments as they flew about in their enclosure. What I didn't expect was that they weren't enclosed, they shared the space with the viewer, and could fly millimetres from your face!

http://www.barbican.org.uk/artgallery/event-detail.asp?id=9713

The first half of the space is dark, with massive video projections showing close-ups of fingers playing guitars. This didn't seem like anything extraordinary, and is frankly not the reason why anyone visits this installation! You walk around a corner and are confronted by bright light and the finches flying between guitars, basses, amps, mic stands and cymbals. Each time they move on an instrument, they play it, creating a soundscape of disconnected chords, cymbal crashes and chirping. Again, the sound element is not why most people are there (it sounded mostly like a band tuning up), but it is rare to go to an exhibition and see the audience smiling. To me it felt like an exhibition that is more about the process than the end result, a "What if...?", but I think this is often true of sound art, and I enjoyed it thoroughly anyway.


After all that modern stuff, I made a quick visit to the National Gallery to look at some of the blockbusters; there's always time for some Caravaggio! Overall, a really useful day in terms of thinking about how we want our installation to be presented, marketed and consumed.

Holly's Filming Summary / Reshoots
Jake / DEFAULT (thumbs up)
[info]hollycore
WED 24/02/10

Filming in the studio was in new experience for me, but I think we managed quite well. I did feel that we perhaps had too many assistants for what we were trying to do, but on the whole it went rather smoothly. My timetable was lacking a little as we finished ahead of schedule by a fair amount, so the following day Lauren I had a look at it and wrote a new timetable which fitted a lot more shots in. I felt that the best part of this day was that the actors seemed to get straight in, and with Lauren's direction, they got straight to what we needed and understood the piece. There was good communication on set between the crew,and when it came down to it everyone got on with what they were supposed to to a satisfactory degree.

THU 25/02/10

We started off in the graveyard, and the bad weather wasn't far behind. The weather forecast had been for snow,so I was glad that it didn't turn out as such. The rain was an annoyance and the crew were grumpy,but thanks to Lauren I's timetable we were there for less time than we would have been with my original timetable. A few shots were cut, but if we had stayed much longer with the weather it would have been a lot harder to film the scenes in the bathroom in the afternoon as the tension would have been higher. There was also an issue with the surroundings being non too clean, which didn't help the actors relax. It was the worst day for filming, merely because we were outside in the rain and it was cold. We did make sure our actors were kept warm with coffee and hot chocolate, but rather than rushing off to get tea and coffee all day, we just got on with it to get out of the cold as quickly as possible.

We moved on in the afternoon to the bathroom scene, after a trip to Tesco for lunch, and to be honest, we had far too many crew members on this section of the shoot. Half of the crew were standing in the hallway and the other half barely fitted in the bathroom. The actors did a brilliant job with the scene, and the main crew did the best they could in the space (it was rather a small corridor/bathroom). There is not much else I can say in terms of the shoot as I was one of the ones on the stairs!

FRI 26/02/10

We were in the bedroom for this part of the shoot, and had a new schedule and a new Assistant Director. With Jon as the AD things ran as smoothly as last time, although the schedule Lauren I put together was an issue (discussed below). Tilly arrived later than desired because of the new schedule, so we were behind from the get go. the shots went well, but by the end of the list everyone was cranky and wanted to go home (most of the assistants did and we were left with Ryan, Mark, myself and Lauren with Tilly and Lexy) We did miss out some shots,so we knew immediately that we would need to do reshoot the following week or so. At the end of the shoot I could tell Lauren was worrying so I tried to calm her down and advised she had along bath and a big glass of wine over the weekend!

TIMETABLING

What happened with the timetable is that my second and third day of scheduling were able to be combined and were, but when it came to the fourth and fifth days, they actually needed to be two days. I received the revised schedule late at night on the Thursday, and Lauren I went to bed soon after emailing it to me,as she was ill. I checked it over and for some reason (probably from being tired) I did not realise she had combined the days, and by the morning it was too late to change it back to my original. I was aware that Lauren S wanted the scene to be over two days and room for timetabling and I do take responsibility for the timetabling error, but I think that the bedroom scenes were done well despite the tiredness and rushed nature of the crew and shoot.

RESHOOTS

We worked on reshoots this week, on MON 15/03/10, which I'm sure Lauren will update about soon enough. They were basically to cover the shots we missed in the bedroom ad a few new ones in the bathroom with a new blood recipe provided by Jon Neill. This shoot was a lot less stressful than the others; we had less assistants as the lighting crew was not needed. THe only assistants we had were Kelly as continuity, Jon as AD and Alister a sound. It felt a lot better and Lauren was smiling a lot more on this shoot as she had her original crew plus her own choice of AD. Looking at the rushes for this shoot, we can tell it was worth the reshoot, particularly getting an overhead shot of the full attack. Lauren was playing with the footage, and slowing it down looked very good. I look forward to seeing the new edit.

New Editor
Jake / DEFAULT (thumbs up)
[info]hollycore
Due to Chemina's personal issues, we have had to call in a new Editor to work on our piece, Kelly Hull. We hope to have an almost complete edit finished by the end of next week with the new footage.

New Flickr Account / Meeting Alexander Kelly
Jake / DEFAULT (thumbs up)
[info]hollycore
We have a flickr account, currently featuring only the filming photographs.
TELLTALE HEART FLICKR ACCOUNT


This morning Chemina, Mark, Ryan and I went in to meet Alexander Kelly, a backup tutor for us should Chris need to attend to a personal matter. Unfortunately Lauren was in London for a different module so was unable to attend. Alex asked us a number of questions about our project,generally getting an idea of our direction and the piece we were putting together. It did raise a number of questions for me, mainly to do with the next step in our process. He suggested we take the time to practise building and projecting our film, even if we cannot do it in the gallery space. He also gave us a very useful recipe for fake blood as we had some trouble with ours in the shoot (and we needed to re-shoot because of the way it looked on camera). In general,I think that we made it clear to Alex what our project was about and he seemed a very easy man to talk to and I will be perfectly happy should he need to step in as tutor.

After the meeting I went to the edit suite with Chemina and looked at what she had so far (the burying-under-the-floorboards scene), and then she got to work on the next scene (the bathroom scene). She seemed to be happy getting on with it,and despite not being able to find one of the shots on the tape, I have been informed that a rough cut exists, that I will try to drop in to see it tomorrow.

Viewing the Rushes...
[info]lauren_stanley
 Yesterday (Monday 1st) Holly, Mark and I met at Uni to look through the rushes of all 3 days' shooting. I was relieved that they were generally great, or at least usable! We decided on 3 shots that needed to be re-done, luckily all of them close-ups that don't require the actors to be there. We realised that there were a couple of shots that we didn't cover, but as the actors' availability is limited, it is likely we will just have to do without them.

Chemina arrived later, so she took the tape and the continiuity tapes, with the instruction to contact us when she had captured the footage, so we could work out a rough cut for Friday, when Chris has asked to see progress.

Filming- Friday February 26th
[info]lauren_stanley
 On Friday we filmed at 125 Abbeydale Road, S7. Njal replaced Kelly as Continuity, and Jon Neill Replaced Lauren Irwin as Assistant Director, as both were working on other things. We had planned for the Camera Assistants to help with the initial set-up in the morning and then to leave, again as space was an issue, but I was unaware that they were going to arrive late, so the set-up had been done before they arrived, so I told them not to bother.

Photos by Holly and me:



For me this was the most important scene so I asked that time was scheduled first thing for rehearsals, especially since we were simulating strangulation, I wanted the actors and crew to be familiar and comfortable with the action. However, for some reason, what was originally a 2 day shoot had been squeezed into 5 hours, and one of the actors was told to come 90 minutes later than the other, so from the start of the day we were behind schedule. Jon and I improvised a new schedule as we went along, which inevitably reduced efficiency.

I was annoyed by this because it meant that we didn't take the time over each set-up that I would have liked, as cast and crew had made other plans based on the 5 hour schedule, and needed to go early. We were rehearsing when we should have been shooting, and time between shots was longer than anticipated. We missed some shots in the rush to get done before actors had to leave, which we will now shoot next week.

The feeling amongst everyone was relaxed but focused, but we got too tired to do our best work towards the end. In my opinion it would have been better had we stuck to doing two shorter days so we were refreshed and alert all the way through the scene; I could see everyone, actors included, flagging by mid-afternoon. We finished at around 7, 4 hours behind schedule, but with a free weekend. I admit, I was worried about seeing what the rushes would be like as I left.

Filming- Thursday February 25th
[info]lauren_stanley
 On the second day of filming we filmed in two locations. In the morning we filmed in Sheffield General Cemetary. Photos by Holly and Kelly Hull:



As the photos show, the weather was the biggest factor, and in the end I decided to cut shots, to shorten the time we were in the mud, as the weather was getting worse as the day went on. I was a bit disappointed to do this, but I could see that the crew was getting grumpy and the actors were freezing, and the shots left weren't essential.

The filming itself went well all things considered, and even though we were without the Assistant Director and the two Camera Assistants for most of the morning's filming, as they were filming for their own project.


In the afternoon we filmed at 70 South View Crescent, S7, but only after an extended lunch to allow everyone to warm up and dry out! This meant we were behind schedule for the rest of the day, but we still managed to finish by about 4pm. The Camera Assistants were not present as they had other work to do, but this was not a problem as there was limited space for crew, some of which sat on the stairs in between set-ups.
Photos by Holly and Kelly Hull:



I was happy with the filming we got done; the original shot list was mainly impossible because of a lack of space, but Ryan managed to work out some interesting shots, so I think this scene will feature more heavily in the final edit than I had originally planned. There was some interesting lighting, and I was especially impressed with Tilly's performance. The shoot generally felt more relaxed, and I thought more efficient.





 

Filming- Wednesday February 24th continued
[info]lauren_stanley
 Sorry, the text after the pictures wasn't showing so I've put it in a separate post...

As the photos show, we put floorboards on the floor, as the scene called for Elanor to pull up floorboards, hide something underneath them, and nail the boards back in place. The scene was all rapid close-ups, so a lot of the camerawork was handheld, to make the shots slightly jerky and to convey a sense of panic.

We finished about 3 hours ahead of schedule, so Holly decided to allow Assistant Producer Lauren Irwin to re-jig the schedules for the rest of the shoot (Holly will probably want to comment further on this aspect of the shoot).

I decided to do this scene first as it was be a good way to ease into the shoot for the crew and the actors; we were unable to do any rehearsals, so this was the easiest scene to shoot in those circumstances. Overall I think the day went fairly well; most of the crew worked efficiently and well together, and the actors gave good performances. I was disappointed with the attitude of Camera Assistants James Parsons and Dave Parkinson, but I decided not to say anything as I didn't want to start an argument. This is something I regret, as I now realise I was made to feel uncomfortable whenever they were on set, and this affected the way I worked negatively. 

Filming- Wednesday February 24th
[info]lauren_stanley
 This was the first day of filming, which was done in a small studio/meeting room in Sheffield Independent Film. The location just needed to be a windowless box and this was the best we could get at short notice, in a mild panic on the Monday! Photos all by Holly and Kelly Hull:

Installing floorboardsLauren running through script with Tilly
Filming Tilly



Shooting Schedule
Jake / DEFAULT (thumbs up)
[info]hollycore
Here is the Shooting Schedule.

Meeting 22/02/10
Jake / DEFAULT (thumbs up)
[info]hollycore
We all met today at 2.00, to discuss the shoot next week. Lauren and Ryan had discussed some shots before the meeting, and we had discovered that the Shooting Schedule I had produced could be improved (time wise) by grouping some of the shots together. When the others arrived (Dave, James, Mark, Lauren I, Ali) I explained the issue with the Shooting Schedule and ensured them it would be on the way tonight. We also discussed the general Schedule, and soon found the problems that could arise, such as that we had booked a studio on the wrong day and could not see it with out schedule (more on this below). We also answered any questions the assistants had to the best of our knowledge, such as the inspiration for the shots (Film Noir) and what kinds of sounds Ali would need to capture on set. I think the assistants left relevantly happy, although I am sure more questions will pop up within the next few days.

After the meeting, Lauren, Mark, Ryan and I discussed the issue we had with the lack of a studio for our first day of shooting. We found that it would be basically impossible to get a studio in the university, so we asked our tutor to help us out and he provided with a few options, one being the SIF studio, and to our luck, there was a meeting room free, that was actually just what we needed. We booked the studio and went our seperate ways, with more location 'checkings' aka viewings set for tomorrow.

Lecture and Tutorial, 15th Feb
[info]lauren_stanley
On Tuesday 15th we had a lecture delivered by Chris, in which he analysed an installation he was involved in, called Pleasant Land, made in 2002/3.

He discussed various things about it that could relate to our projects and any future work; that material for installation can come from anywhere, even from the process of producing other work, that funding is precarious even after it has promised, and that despite the installation not turning out how you intended it to, the show must go on!

He told us about the 'documentation' for our projects; that we should film people interacting with our pieces, as well as taking photos and gathering comments via a visitor's book. He also explained the importance of marketing; to hand out flyers for the exhibition to visitors, have an explanation of the work on the wall, and to let local and national press know that the exhibition is happening, to exploit contacts and social media like Facebook. He suggested invitations for opening night need to go out one month before the event and flyers a fortnight before, and to look into submission dates for magazines and papers etc.

In general he told us not to be afraid of controversy, i.e. shoehorn sex in somewhere! and to allow time for exploration in the edit.

Afterwards we had a tutorial with Chris. We informed him of our trouble finding a male lead,  and so had decided to change the character to a female; he seemed to like this idea as a creative solution to the problem, that it could actually make the piece more interesting.  He asked to see our shooting schedule as soon as possible.

We also discussed assistants and health and safety on the shoot, and to get the heath and safety regulations from Bank Street as soon as possible. He reassured us that the documentation doesn't have to be of brilliant quality in terms of visuals or narrative, just as long as it is done and handed in with the rest of the work on the 13th May.

He seems confident that we can produce a good piece of work, so I am trying to draw reassurance from that!

Sonic Materialities, 12th Feb
[info]lauren_stanley
Last Friday (12th Feb) I went to the 'Sonic Materialities' event at the Winter Gardens in Sheffield City Centre. I went mostly because it is so rare to have a sonic art event in Sheffield. I had also interviewed one of the performers, Mark Fell, for my Professional Practice Study module.

In the end I didn't think it was particularly good, the performances were either painful or dull for me, although I did think there were some interesting ways of exhibiting the sound. Here are a couple of sneaky photos I took before I was sarcastically asked for my photography permit:

Sonic Materialities 12th Feb 1Sonic Materialities 12th Feb 2

It was all incredibly loud, presumably to become overwhelming for the audience; I don't think the people in the restaurant next door were too happy though! I think the most useful thing I learnt was from Mark Fell, who said even with sound exhibits it isn't all about the quality of sound; how the sound equipment looks in the space is important. He also said you need visuals even if you don't want them, because the audience needs something to occupy their eyes whilst they are listening.

I want our piece to also work as a sound exhibition if people want to experience it in that way, so this is good to know. I also don't think volume is the only way to affect the audience; especially with the other two groups' work being so close to ours in Bank Street.



Auditions
[info]lauren_stanley
Its been a bit of a faff, but I have arranged two audition sessions, on Friday 12th and Tuesday 16th, both based in Adsetts at 9-11am. This was to accommodate actors that had contacted us through castingcallpro.com, and to allow some time for people from the Performance courses at uni to get in touch. I am hoping they will because we don't have any male professionals auditioning as yet, which is a worry.

Shooting Schedule Update/ New Timetable Update
Jake / DEFAULT (thumbs up)
[info]hollycore
I am currently working on the shooting schedule, and am pulling together all the locations that Mark posted lower down the page to see how easy it is to get from one to the other. I also had a class with Chrissie where we covered the documents I would need to have in my portfolio and it seems that I have got a fair few of them already. We are also working on a cast, but Lauren S has taken the lead for this week as my other project's filming falls on the Monday-Friday. I will not be completely absent however, as I have organised my own timetable to give me a little wiggle room to attend auditions if needs be.

Here is the most updated version of the main schedule: [click]

Gallery Visit, 4th Feb
[info]lauren_stanley
 After the tutorial with Chris I went to the Composure exhibition at the Sheffield Institute of Arts Gallery, in the Furnival building at uni. It features a set of short films in which the artists were restricted to a three minute locked-off shot. Although this doesn't bear much relation to our project, it is important for us to view as much gallery work as possible.

I reacted to them with varying degrees of like and dislike. My favourite was Lost and Found by James Shilton, and I think this was the most relevant to us. It demonstrated the amount of narrative that can still be drawn from a long take with no camera movement. Some of the works made no sense to me, or provoked only indifference, but others proved that if time is taken with the cinematography and art direction, a simple set up can still produce a beautiful and memorable work. This is something I need to remember and work on with our project.

That, coupled with Chris' advice, has convinced me that the script needs to be pared back even more, otherwise the project will be too messy and trying to make too many points, so I will further develop the script over the weekend.

Tutorial with Chris, 4th Feb
[info]lauren_stanley
 Today we had a tutorial which Ryan, Holly and I attended.

Chris let us know that there is a possibility he will not be available in the next few weeks because of personal circumstances, in which case his collaborator Alexander Kelly would step in to help us with any problems.

Holly reported on compiling the shooting schedule, which can't be completed before locations are confirmed; she hoped this would happen before the end of the day.

Chris discussed the idea that we are making a video installation and not a gallery piece, the difference being that we also need to think about the environment in which our piece will be shown, in relation to the film. He was pleased with the progress made with the script, moving away from it being a short film and towards it being an installation. He suggested further reduction of the script to its core concept, to create a film where the audience has to do some 'work', and something that questions how the audience consumes the film.

He then gave us general advice about the other material we hand in with our final film. Be thorough and honest in the evaluation, as this is the best way for the tutors to know how the production went. Provide every bit of preparatory work we produce in our research book. Research books should also include our critical analysis of media on a regular basis. We also need to have film and photographic 'documentation' of the construction of the exhibition, and how the audience respond and interact with it.

Lots of food for thought, but as always lots of advice and encouragement from Chris.

Shooting Locations Map
[info]winterpie101
http://maps.google.com/maps/ms?hl=en&ie=UTF8&msa=0&ll=53.378081,-1.46528&spn=0.006323,0.021136&z=16&msid=107147949962894053018.00047ec8d65455ca2bbd5

Above is a link to a google map I've been working on, the map can be updated whenever it needs to be and can also be used to get directions and distances between different locations. I can't hyperlink it so just copy the address in to your browser and it should be fine.

'A Prophet'
[info]rtsang4
So I got round to watching 'A Prophet', a French prison drama film and took note of the dream sequence and the way it's shot. It really exemplifies the guilt felt by the main character and his struggle to overcome it, a similar situation to the main character in the tell tale heart.

I'll do my best to describe it as this is from memory (the copy I downloaded didn't work)

The sequence itself is dark and gritty, slightly slowed down with a trailing effect, and it shows 2 men wrestling on a prison bed: the main character and the person he murdered. The only light in the shot is what appears to be a dim spotlight of some sort that constantly shines over the two men (think of the shot in our fast track project where we were waving the ripped sheet of paper over the dedo light). If I remember correctly it begins in silence then we start hearing the main character choking.

Overall it is a very haunting dream sequence, and is very much achievable with the equipment available to us. I'll be taking inspiration from this scene and apply it to our film.

Also, for those who haven't seen the film you should check it out, it's really good.

Art Direction Seminar
[info]winterpie101
Went to the Art Direction seminar this afternoon and talked with Julie about the project, after giving me some general advice about art directing for the project she said she would like to meet again but at Bank Street Arts, she is also meeting Kelly there to have a look at thier gallery space as well.

The meeting at Bank Street is on the 9th of Feb at 12 noon. Would be good if anyone else would like to come! Otherwise I'll post the results of the meeting on here.

Also had a good idea for locations, found out you can save google map documents, so I will pin all the locations on a google map which can be used to get directions from place to place and also view pictures of the areas, I'll then post a link to it on here.

Mark

Meeting 2nd February
[info]lauren_stanley
Today I met with Holly and Lauren I. to look through all the online submissions we have received to our casting call. Chemina also managed to attend, so we also got her up to speed with what we have been doing generally. 

I will now email respondents with the script and more details of the shoot; hopefully some can audition in person, but we discussed them sending video auditions if they cannot. I also suggested I go to some local drama societies next week whilst Holly is working on her other shoot, for local alternatives, who are more likely to be able to be here for the full week. We had no responses to posters put up in the University, so I think for now we are abandoning that, at least for the lead roles.

Meeting 1st Feb
Jake / DEFAULT (thumbs up)
[info]hollycore
Today we had a meeting which most of our assistants attended (Ali, Chemina and Paul were unfortunately unavailable or unaware of the meeting as they hadn't checked their emails), but we did gain Dave Parkinson as a second lighting assistant along with James. We first of all went thoguh the "homework" that Lauren S had gathered for each member of the group as she had been working on her script. I passed on a small percentage of mine to Lauren I as my assistant producer because I have already got a lot on my plate with the shooting schedule and auditions. We then ensured that our assistants knew the idea of the film and fully understood their responsibilities at this time. We discussed the locations that were needed till to be found and Lauren S promised to send an updated script my way as soon as it is finished so I can send it to everyone in the group.

We also discussed the problems that may arise with the actual filming, such as how to construct floorboards that we can repeatedly smash up if needed in new takes, and also began to think of alternatives should we not be able to build the structure originally planned for the exhibition.

Cast Interest
Jake / DEFAULT (thumbs up)
[info]hollycore
We have got quite a lot of interest in our online casting call, and are holding auditions for those in university on the 2nd Febuary.

Online Casting Calls
[info]lauren_stanley
Our casting call is now live on mandy.com, uk.castingcallpro.com and total-talent.com, for the next two weeks. Fingers crossed!

Meeting 25th Jan
[info]lauren_stanley
 Yesterday after the introductory session with the tutors, most of the installation groups met with Kelly from TBWLHW group to give her the money to secure Bank Street for our exhibitions.

After this Holly and I had a brief meeting to sort out a casting call and auditions. We drafted a casting call which Holly will put up around the university, and I will post on a few relevant websites. We chose the date of the 2nd February, as this was the only date we could both do without it being dangerously close to our filming week! We decided to book out one of the photography studios in Harmer as the venue for the auditions.

Prop List
[info]winterpie101
Knocked up a short list of the main props we'll need for the film itself, all props are taken from the script and could obviously change at any point in the project.

Prop List

  • Reading Book
  • Towel
  • Book 2
  • Lantern
  • Crow Bar
  • Knife
  • Bin Bags
  • Notepad

Bank Street Arts
[info]lauren_stanley
 Today the rest of the group made the visit to the exhibition space, so now we all know what we are letting ourselves in for! Photos all by me (starring Mark and Ryan):

BSA 1BSA 2BSA 3BSA 4BSA 5BSA 6BSA 7BSA 8BSA 9
I think this space meets all our needs; in an ideal world we would like something larger, but we would struggle to find somewhere else for as little money and flexible terms, as well as a bigger space. Obviously everything will be moved out of the room. There is one small internal window that can be blocked out easily.

Now we can finalise our exhibition plans, which we hope to do in the next couple of weeks after some testing of projectors etc.

Meeting 21st Jan
Jake / DEFAULT (thumbs up)
[info]hollycore
Present: Mark, Ryan, Lauren, Holly, Kelly, Jo

We confirmed the exhibition dates after Kelly had met with our tutor; Monday 10th May to Sun 23rd May. Jo, Ryan, Lauren, Mark and Kelly planned to go to Bank Street Arts the following Friday.

In relation to our own projects, Lauren has more or less confirmed a voice over for our project, and we discussed where to get the rest of the cast. We worked out a budget with for the booking of BSA, and it came to £25 each. We also discussed who would be in charge of making flyers and invitations, and for the time being the design will be down to Mark, but others can give their input, and I shall be working out the printing etc. We also toyed with the idea of using a sponsor, and I suggested that I ask my boss (Bargain Booze) if he can sponsor us.

- Holly

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